With Ducati heading for their 100th Anniversary in 2026, it’s worth looking back at some of its landmark motorcycles. Although motorcycle production began after World War II, the racing tradition really began in 1955. Every time a Ducati wins a race it continues a ritual established with the single overhead camshaft Gran Sport, or Marianna.
The Gran Sport was the first Ducati designed and built with racing in mind, and its success ensured that racing would become a predominant feature in the company’s history. Before the Gran Sport, Ducati’s racing machines were based on the 48cc Cucciolo. When Gran Fondo road races like the Milano-Taranto and Motogiro d’Italia were resurrected, Ducati hoped for success with its new overhead valve 60 Sport.
The Motogiro d’Italia was a nine-day stage race run on normal Italian roads and limited to motorcycles displacing less than 175cc. In the 1953 and 1954 Motogiro Ducati was completely outclassed by Laverda. Because success in the Gran Fondo races was considered pivotal for sales, Ducati’s managing director Dottore Giuseppe Montano lured engineer Fabio Taglioni away from Mondial to design a completely new motorcycle. Only one month after the 1954 Motogiro defeats, Taglioni began work on the Gran Sport and Ducati’s illustrious competition story was underway.
Taglioni always worked with surprising speed, and he showed a remarkable ability to get designs right the first time. Few designs exemplified this better than the Gran Sport, later nicknamed the Marianna. Its advanced engine design was conceived for racing first and production second, thus it proved virtually unbeatable in Italian road races. So forward-thinking was the Marianna’s design that it would form the basis of the Grand Prix desmodromic racers and a range of racing and production single cylinder machines through 1974. In fact, many of its design criteria carried through to the later 90-degree V-twins and even the current Testastretta and new V2 owe much to the Marianna. This was truly one of Ducati’s great engine designs.
The hand-built, limited-production Marianna bore little resemblance to the mundane overhead valve singles Ducati was producing during 1955 and 1956. Taglioni realised that there was no point in having a successful racer without a comparable production version. Ducati rectified this in 1957, initially with the 175 Sport followed soon afterwards by 175 T (touring). These were the first series-production motorcycles to bear Taglioni’s stamp, and the 175 Sport set a reputation-making trend that continues to this day: Ducati’s production adaptations of its successful racers.
The 175 Sport was the first production bevel-drive single, but it soon begat a range of singles eventually ranging from 100cc to 450cc. The heart of the little engine was a set of vertically split die-cast aluminium-alloy crankcases, with a tower shaft and two sets of bevel gears driving a single overhead camshaft. The design was quite advanced for the day, with a wet sump, unit-construction four-speed gearbox and primary drive by helical gears. The two overhead valves were set at a wide 80-degree included angle. As it required a high domed piston to achieve a decent compression ratio this cylinder head design was arguably obsolete even in 1957. Yet it would last nearly 30 years, all the way through Ducati’s final bevel-drive twin, the Mille. Hairpin springs closed the valves but, unlike the Marianna, these were enclosed to keep the engine oil tight. Another trademark feature that would carry though for nearly thirty years was a pressed-together crankshaft riding in ball bearings. This carried a one-piece con-rod with a bushed small end and a roller bearing big-end.
With a 62 x 57.8mm bore and stroke, single 22.5mm remote-float bowl Dell’Orto carburettor and a very mild 8.0:1 compression ratio, the 175 Sport engine produced 14hp at 8000rpm. The handsome all-alloy engine looked like exactly what it was: a race-bred engine adapted for the street.
Other 175 Sport features would also become Ducati trademarks. The single downtube frame used the engine as a stressed member, and the chassis was suspended by basic telescopic forks and twin rear shock absorbers. Although the full-width drum brakes were large for such a small motorcycle (180mm on the front and 160mm on the rear), the 18-inch tires were narrow (2.50 and 2.75-inch). Typical Italian features included a weak six-volt electrical system and marginal lighting. A number of unique components distinguished the early 175s, including a rubber-bushed single front-engine mount and a bolt-on rear-frame loop. Later production versions showed greater uniformity of components.
The 175 Sport’s design also set it apart from other motorcycles in 1957, particularly its unique fuel tank. Although lovely in its execution, it was designed purely to follow function with arm recesses sculpted into the tank to allow a crouched rider to hug the motorcycle while gripping the clip-on handlebars. There were even eyelets atop the tank to secure a chin pad for those boy racers who really wanted to get their head down.
By modern standards the 175 Sport was a tiny motorcycle. The wheelbase was a short 1320mm and the seat height only 790mm. While the weight was a low 104kg, the rider needed to be jockey-sized and stuck to the tank like a decal to obtain the claimed maximum speed of 130km/h. The 175 Sport was a sensation when it debuted at the Milan Motorcycle Show at the end of 1956. Its garish colour scheme and racing orientation was unprecedented from Ducati, a company known for Cucciolos and unexciting pushrod singles. Here was a bold statement that Ducati was serious about building sporting motorcycles based on their successful racers.
So successful was the 175 Sport that it caught the attention of American motorcycle importer Berliner who saw a future for these little singles. Ducati responded to the American market with the Scrambler and Americano. The 175 Sport continued for some time after the introduction in 1958 of the 200. In the UK the 175 was sold as the Silverstone and Silverstone Super through 1961. Ducati was on the world map. Today, the 175 Sport may seem generations removed from a Desmosedici or Panigale, but this was ground zero for the Ducati legend.
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Although I am only 70 I remember when you could buy used 175’s for little money back in the 70’ and early 80’s. To me the artsy design of the tank, although purely for function, makes this the most gorgeous of all motorcycles to hit the streets.
The world of motorcycling is no longer about who can go around the corner the fastest, it is now about how quick I can get there. Motorcycling is an art and carving that corner is that art, the art of the rider and the motorcycle combined, like the “Art of War” it is a strategy of technology and dexterity.
Ian your writing is technically wonderful and artfully done. Please write more about smaller motorcycles from Europe that can corner like an artist carving a log into an eagle that can fly away.
Wanted one of these for quite a while. So few around and the ones that come up for sale have been “restored”. Original paint is a must for me.